Geoff’s new book White Sands is the BBC Radio 4’s Book of the Week every day at 9.45 am from June 27 – July 1st. Don’t miss it! Find out more information here.
Geoff has written the Foreword to The Abundance by Annie Dillard.
“Writing introductions to books by writers one loves is the absolute highpoint of the reading-writing life. If you’d told me when I was twenty-three, when I first read Camera Lucida, that I’d one day end up between the covers with Roland Barthes I’d probably have fainted with happiness. I feel similarly overjoyed and honoured to have written the foreword to Annie Dillard’s The Abundance.”
Geoff has written the Afterword to Matt Stuart’s wonderful book of photographs, All That Life Can Afford.
Geoff has been awarded a 2015 Windham Campbell Literature Prize. Nine winners in three categories – nonfiction, drama and fiction – receive $150,000 each to support their work.
For the 2015 Spring semester Geoff is Visiting Professor at the Michener Center for Writers at the University of Texas in Austin.
The paperback of Another Great Day at Sea is published in the UK by Canongate and in the US by Vintage. At the same time Canongate complete their reissue of all of Geoff’s books in a uniform paperback edition with the publication of Jeff in Venice, Death in Varanasi, Out of Sheer Rage, and Working the Room.
The first Australian edition of Another Great Day at Sea will be published in March 2015 by Text.
Meghan Daum’s anthology Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids includes an essay by Geoff (published in March 2015 by Picador).
Essay in An-My Lê’s Events Ashore (Aperture).
Conversation with Janet Malcolm on photography in the Winter 2014 issue (217) of Aperture.
Geoff Dyer interviewed by Jonathan Lethem in BOMB: The Author Interviews (Soho Press).
Preface to The First World War: Unseen Glass Plate Photographs of the Western Front (University of Chicago Press).
See Events for readings and talks taking place in the UK and US in May and June around these publications.
Also see Events for a conference in July in London about Geoff Dyer’s work.
Geoff has been elected an Honorary Fellow of Corpus Christi College, Oxford.
Geoff’s Diary piece, Why Can’t I See You?, is published in the London Review of Books.
Geoff has contributed a map, The Boy Out of Cheltenham, to Where You Are: A Book of Maps published by Visual Editions.
Interview with Nietzsche in the Dead Interviews edited by Dan Crowe (Granta)
Essay on Dayanita Singh in the catalogue for her retrospective, Go Away Closer, at the Hayward Gallery, London
Contribution to the Lawrence Weschler symposium in McSweeney’s Quarterly number 44
Contribution to symposium on Revenge in the Threepenny Review
Foreword to Reading Magnum: A Visual Archive of the Modern World edited by Steven Hoelscher (Harry Ransom Center)
Essay in catalogue for the exhibition Arctic at the Louisiana Museum, Copenhagen
The Spanish translation of Zona will be published in June 2013 by Mondadori Spain.
The Brazilian edition of But Beautiful will be published in July 2013 by Companhia das Lettras.
The Portuguese transalation of Yoga for People who Can’t Be Bothered to Do It is out now, published Quetzal (May, 2013).
The Korean translation of But Beautiful will be published in South Korea in June 2013.
Geoff was guest director at the Telluride Film Festival (29 August – 3 September 2012).
Canongate have begun their programme of reissuing Geoff’s entire backlist (with the exception of Ways of Telling). Out of Sheer Rage is available as a Canon; Paris Trance, Yoga and But Beautiful were published in June 2012; The Missing of the Somme, The Ongoing Moment and a revised edition of The Colour of Memory were published in November.
Geoff won the National Book Critics Circle Award for Criticism for Otherwise Known as the Human Condition announced in New York on 8 March 2012.
Geoff has guest edited the Documents section of the Spring / Summer 2012 edition of AnOther Magazine out now, with articles written by Fiona Banner, Anne Carson, David Markson and others, and art by Melinda Gibson.
Geoff was interviewed by Bryan Appleyard for The Sunday Times in February 2012.
The New York Times‘ Dwight Garner has chosen Geoff Dyer’s Otherwise Known as the Human Condition as one of his Top 10 Nonfiction Books of 2011. He says: “Mr. Dyer, a shape-shifting British writer, is among the best essayists on the planet, and this book includes some of his finest work. He casts an almost perversely wide net here. There are pieces about Ian McEwan and the photographer Jacques Henri Lartigue and the jazz cornet player Don Cherry. He goes on tour with the aging rockers in Def Leppard and goes up in a decommissioned Russian MIG-29 fighter plane. He wanders though Camus’s Algeria. He reflects upon the joy of having sex in good hotels. What these essays impart is ecstasy.”
Check out this interview with Geoff conducted by American writer Jonathan Lethem for BOMB magazine.
Geoff’s new book Zona: A Book about a Film about a Journey to a Room, is published in February 2012 by Canongate, UK and in March 2012 by Pantheon, US. The book takes the reader through the film Stalker by the great Russian director Andrei Tarkovsky, and, like the film itself, confronts the most mysterious and enduring questions of life and how to live.
Geoff has been chosen by the UK’s Observer newspaper as one of Britain’s top 300 intellectuals! See the full list here.
We just found this video of a hilarious reading Geoff gave at Damian Barr’s Shoreditch House literary salon in London. Enjoy!
From “one of our most original writers” (Kathryn Schulz, New York magazine) comes an expansive and exacting book—firmly grounded, but elegant, witty, and always inquisitive—about travel, unexpected awareness, and the questions we ask when we step outside ourselves.Continue reading →
Geoff Dyer introduces this survey of Jacob Holdt’s photographs of America in the 1970s.Continue reading →
When William Gedney died in 1989 at the age of 56 he was little known except to a few colleagues and curators. This book, co-edited by Geoff Dyer, reveals Gedney’s remarkable photographs as well as writings by him.Continue reading →