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Pages from the Goncourt Journals

“Not just a vivid, intimate chronicle of a thrilling time, it’s also full of moments of casual, withering brilliance… Geoff Dyer provides a suitably awestruck foreword.” Evening Standard

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Pages from the Goncourt Journals

The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of colour, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists.

Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure.

The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.

This new edition is introduced by Geoff Dyer.

Published: US, NYRB, 2006

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In 1922, F. Scott Fitzgerald announced his decision to write “something new–something extraordinary and beautiful and simple + intricately patterned.” That extraordinary, beautiful, intricately patterned, and above all, simple novel […]

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This collection of writings on photography by one of the most internationally influential writers of the past fifty years has been edited by Geoff Dyer who has also written an introduction to the book.

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