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Pages from the Goncourt Journals

“Not just a vivid, intimate chronicle of a thrilling time, it’s also full of moments of casual, withering brilliance… Geoff Dyer provides a suitably awestruck foreword.” Evening Standard

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Pages from the Goncourt Journals

The journal of the brothers Edmond and Jules de Goncourt is one of the masterpieces of nineteenth-century French literature, a work that in its richness of colour, variety, and seemingly casual perfection bears comparison with the great paintings of their friends and contemporaries the Impressionists.

Born nearly ten years apart into a French aristocratic family, the two brothers formed an extraordinarily productive and enduring literary partnership, collaborating on novels, criticism, and plays that pioneered the new aesthetic of naturalism. But the brothers’ talents found their most memorable outlet in their journal, which is at once a chronicle of an era, an intimate glimpse into their lives, and the purest expression of a nascent modern sensibility preoccupied with sex and art, celebrity and self-exposure.

The Goncourts visit slums, brothels, balls, department stores, and imperial receptions; they argue over art and politics and trade merciless gossip with and about Hugo, Baudelaire, Degas, Flaubert, Zola, Rodin, and many others. And in 1871, Edmond maintains a vigil as his brother dies a slow and agonizing death from syphilis, recording every detail in the journal that he would continue to maintain alone for another two decades.

This new edition is introduced by Geoff Dyer.

Published: US, NYRB, 2006

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Forewords & Afterwords

Geoff Dyer introduces this survey of Jacob Holdt’s photographs of America in the 1970s.

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As Editor

When William Gedney died in 1989 at the age of 56 he was little known except to a few colleagues and curators. This book, co-edited by Geoff Dyer, reveals Gedney’s remarkable photographs as well as writings by him.

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